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Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop 2
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop 3
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop a
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop 4
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Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop 2
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop 3
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop a
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop 4
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop b
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop 5
Kees van Dongen Portrait of Edmonde Guy watercolour aquarel for sale te koop verso
Kees van Dongen
(Delfshaven 1877 - Monte Carlo 1968)

‘Portrait of Edmonde Guy’

Watercolour: 61 cm x 46 cm

Signed lower centre right van Dongen

Bears a GR2A stamp on the back of the mount

Notes:

Edmonde Guy (1903 – 1951) was a dancer, music hall artist and actress. She was the sister of milliner Maria Guy. Kees van Dongen made several portraits of this famous artist in the 1930s. Well known for such silent films as Princesse Mandane and The Woman from Nowhere, as well as a string of stage shows, Edmonde Guy was an actress of considerable talent during the Roaring Twenties.

Kees van Dongen was a Dutch-born French painter and printmaker who was one of the leading Fauvists and was particularly renowned for his stylized, sensuously rendered portraits of women.

Van Dongen had artistic leanings early in his youth. He attended the Royal Academy of Fine Arts in Rotterdam, Neth., and he moved to Paris at age 20. Arriving in Paris around 1900, he borrowed from a Degas or a Toulouse-Lautrec the excessively made-up female figures, which he treated in Fauvist fashion with his strong outlines, his bright colors and his simplified drawing.

Having made the acquaintance of Henri Matisse, van Dongen participated in the famous Salon d’Automne of 1905, at which the Fauve (“Wild Beast”) group was given its epithet due to the artists’ aggressive, emotive brushwork and pure, unblended colours. His reputation grew when he was contracted by Pablo Picasso’s dealer Daniel-Henry Kahnweiler in 1907. Van Dongen exhibited with the German Expressionist group Die Brücke (“The Bridge”) in 1908, but he remained committed to Fauvism.

At the Salon d’Automne of 1913, he exhibited a painting showing his wife Guus just dressed in a shawl and stockings: deemed obscene by the prefect of police, it was removed from the exhibition.

Six years later, the three female portraits he sent to the same event marked his stylistic evolution. His models feature slender bodies, small heads and large eyes. A new vision, eminently modern and independent of any movement. Van Dongen’s candid, colourful portrait style was immensely fashionable by the end of World War I, and thereafter it remained his main focus. The figure of a glamorous woman with large eyes and red lips became his archetype.

During his so-called “cocktail” period, because of the parties and the many meetings from 1916 to 1931, he became one of the outstanding figures of the Montparnasse district and painted many nudes of emancipated women from high society with sophisticated eroticism. …sometimes still considered scandalous.

The French government honored him with the title of a Knight of the French Legion of Honour, in 1926. The following year he received the title of the Order of the Crown of Belgium. The artist was honored for his invaluable contribution to French art society. Shortly after, the government offered him the French citizenship.

His artwork can be found in important collections and museums worldwide, such as the Museum of Modern Arts (MOMA) New York, Van Gogh Museum Amsterdam, Hermitage in Sint-Petersburg, Centre Pompidou in Paris and many more.

Provenance:

  • Purchased by Bernard Pujo from the Gallery Carpenter in 1960;
  • Given by Madame Pujo to Jean G., July 5, 1982; thence by descent;
  • Private collection, The Netherlands.

Expertise:

A certificate of authenticity from Mr. Jacques Chalom des Cordes will be given to the purchaser.

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