Jacob van Ruisdael painting for sale schilderij te koop tableaux a vendre - A painter's Viewpoint in a Rocky Landscape near a Waterfall (kf)
Jacob van Ruisdael painting for sale schilderij te koop tableaux a vendre - A painter's Viewpoint in a Rocky Landscape near a Waterfall (frame2)
Jacob van Ruisdael painting for sale schilderij te koop tableaux a vendre - A painter's Viewpoint in a Rocky Landscape near a Waterfall (frame)
Jacob van Ruisdael painting for sale schilderij te koop tableaux a vendre - A painter's Viewpoint in a Rocky Landscape near a Waterfall (kf)
Jacob van Ruisdael painting for sale schilderij te koop tableaux a vendre - A painter's Viewpoint in a Rocky Landscape near a Waterfall (frame2)
Jacob van Ruisdael painting for sale schilderij te koop tableaux a vendre - A painter's Viewpoint in a Rocky Landscape near a Waterfall (frame)
Jacob van Ruisdael
(Haarlem 1628 - 1682 Amsterdam)

“A painter’s Viewpoint in a Rocky Landscape near a Waterfall”

Oil on canvas: 106 x 94 cm;

signed in full (c.r.)

Notes

The Haarlem painter Jacob van Ruisdael painted during the Baroque style period. Ruisdael was taught by his father Isaak van Ruysdael and probably also by his uncle Salomon, who had become famous for his winter landscapes and river views. Jacob, however, spelled his name with an ‘i’ as ‘Ruisdael’ in contrast to the other members of the artist family. Like the others, he mainly focused on painting landscapes.

Jacob van Ruisdael developed into one of the most important landscape painters of his time. In addition to being a painter, he was also a draftsman and etcher. In addition to landscapes, the artist also painted sea and cityscapes. In 1648 he became a member of the Haarlem guild of painters. In the mid-seventeenth century, Van Ruisdael and Nicolaes Berchem made a journey along the Rhine to Nijmegen and Cleves.

There he painted, among other things, the castle of Bentheim. This is where his monumental work takes on its distinctive dramatic character for the first time, through the rendering of the rocky hill on which the castle stands. The artist was inspired by the Scandinavian landscape, which he had seen in the paintings of his contemporary Allaert van Everdingen.

Van Ruisdael’s work had a strong appeal to artists from later centuries. Nineteenth-century artists in particular were inspired by the style and atmosphere in Van Ruisdael’s paintings, such as Cornelius Krieghoff, an artist of the Canadian School, Théodore Rousseau of the French School of Barbizon, and J.H. Weissenbruch of the Hague School. The Dutchman Andreas Schelfhout, the English painter John Constable, both representatives of Romanticism, and the German Andreas Achenbach of the Düsseldorf School were also inspired by the oeuvre of perhaps the most famous Dutch master of landscape. Ruisdael died in 1682 and is buried in his place of birth, in the St. Bavokerk in Haarlem.

Provenance

  • Sedelmeyer, Paris;
  • James Simon, Berlin in 1890; his sale, Berlin, Lepke November 1932 no.49, with ill.;
  • with Alexander Brod, London, 1950;
  • with S. Nijstad, The Hague, 1963;
  • from a Dutch private estate.

Exhibited

Berlin, 1890, no.255; Dordrecht 1963, no.104, with ill..

Expertise

In a letter dated 24.IX.07, Prof. Dr. Seymour Slive apologises for the

mis-publication in his monograph on Ruisdael of this painting under ‘dubious’works. He now confirms, having seen the work after cleaning, that he regrets the mistake, which was based on an ‘old, miserable photo’ of the painting. In any future edition he will make sure that the painting is published correctly.

Dr.  J. Giltaij from Boymans van Beuningen Museum, Rotterdam, confirms Slive’s correction after a thorough examination in 2007.

 

Literature

  • Bode, 1890; p 236f; C. Hofstede de Groot, “A Cat. Raisonné .”, no. 205a; Jacob Rosenberg no. 138; Simon 1935, p.193;
  • Dr. Seymour Slive, ‘Jacob van Ruisdael, A complete catalogue of his paintings, drawings and etchings’, Yale Univ. Press, New Haven & London 2001, cat. no. dub35, p.626, with ill. In the future addendum of Slive’s monumental monograph, this beautifully preserved Jacob van Ruisdael will be fully catalogued and illustrated.

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