Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902 kf
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902 side
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902 verso
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902 signature
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902 t
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902 kf
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902 side
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902 verso
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902 signature
Henri Fantin-Latour painting for sale tableaux a vendre Vase de Pivoines, 1902 t
Henri Fantin-Latour
(Grenoble 1836 - 1904 Buré)

“Vase de Pivoines”, 1902

Oil on canvas: 41 x 37 cm

Signed lower left: Fantin

Notes:

Henri Fantin-Latour was a French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts.

Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés.

Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild portraits, are perhaps most interesting for their portrayal of various literary and artistic persons of the time.

Fantin-Latour’s flower paintings were particularly appreciated in England, where, through James McNeill Whistler and Sir John Everett Millais, Fantin-Latour found a patron in Edwin Edwards. A wealthy amateur engraver, he supported Fantin-Latour for years by purchasing his still lifes.

Provenance:

  • Tempelaere, Paris;
  • Tavernier, Paris;
  • Colnaghi, London;
  • Galerie Brame, Paris, 1978
  • Sotheby’s London, 1978, lot 205
  • Private collection, Europe
  • Sotheby’s London, 1989, lot 2
  • Private collection, Europe
  • Sotheby’s London, 1996, lot 24
  • Noortman Master Paintings, Maastricht, bought at TEFAF 2004
  • Private collection, Belgium
  • Douwes Fine Art, Amsterdam 2023

Literature:

Mme Fantin-Latour, Catalogue de l’oeuvre complet de Fantin-Latour, Paris, 1911, no. 1937 on page 206. This has been confirmed by Sylvie Brame.

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