While traveling from Judea to Galilee, Christ and the Apostles broke their journey in
Samaria, pausing to rest by Jacob’s well. While Jesus was waiting alone, a Samarian woman
came to fetch water and in the course of their dialogue, Jesus revealed to her as the Messiah.
In 1657, Rembrandt made another etching of the same subject (White-Boon 70), but this
totally different in style and composition. Between 1655 and 1659 Rembrandt used this story
as the basis for three paintings, a drawing and this etching. All are drawn in his late ‘pictorial’
style, with its bold handling and glowing treatment of light and shadow.
Freiherr Adalbert von lanna (1836-1909) (Lugt 2773) and GJ in circle (Lugt 1164a); Lanna’s
collection was one of the best in his time.
fragment of three balls probably from a foolscap.
Bartsch 71, White-Boon, Hollstein 71, first state;
‘The New Hollstein (Hinterding/Rutgers), 2013, no. 127, first state (of V).
Excellent 17th century impression without blemish;
A kind of paraphe in pencil on verso.