French 19th - 20th century
Joseph Bail
"Cats Playing around a Mirror"
on canvas: 45,5 x 37,5 cm
Hippolyte Camille Delpy
"Pêcheur au soleil couchant"
on canvas: 57 x 91 cm
Johan Barthold Jongkind
"Petit Port sur la Meuse près Rotterdam"
on canvas: 34 x 47 cm
Henri Pailler
"Crozant, Vallée de la Creuse"
on canvas: 62 x 81 cm
Georges Lemmen
"Nu au coussin blue"
on board: 55 x 67 cm;
Henri Charles Manguin
"La Flotte"
watercolour over pencil: 31 x 49 cm
Louis Valtat
"La Famille sur la Plage"
on canvas laid down on board: 45,5 x 54 cm
F. Clairval
"Various colourful roses in a glass vase"
on board: 67 x 49 cm;
Hubert-Denis Etcheverry
"Une Consultation"
on canvas: 65,5 x 80,5 cm;
Adolphe Monticelli
La Lettre d'Amour
on panel: 61 x 91 cm;
Claude-Emile Schuffenecker
"Jeune femme bretonne"
pastel on paper: 46 x 30,5 cm;
Louis Tauzin
"Bas Meudon"
on canvas: 56 x 38 cm;
Dietz Edzard
"Various flowers in a vase"
on canvas on board: 29 x 23,5 cm;
Paul-Désiré Trouillebert
"Pushing a boat on the river"
on canvas: 22,5 x 27,5 cm;
Charles François Daubigny
"Bord de Rivière"
on canvas : 38,5 x 67,5 cm;
Léon Victor Dupré
"Rural landscape with cows watering "
on canvas: 27,5 x 36,5 cm;
Charles Camoin
"Au Bois de Boulogne, Lac St. James, printemps 1910"
on canvas: 81 x 100 cm
Jean Dufy
Flowers in a vase
watercolour: 64 x 48 cm
Johan Barthold Jongkind
"L'Eglise de Blandin, Isère"
watercolour, black chalk and ink: 20 x 35 cm;
Defendi Semeghini
"Two ladies picking flowers on a sunny hill"
on canvas: 25 x 39,5 cm;
Charles François Daubigny
"Vaches à la mare dans une clairière"
on canvas: 58 x 93 cm;
Joseph Bail
Maids polishing copper and silverware
on canvas: 72 x 58,5 cm
Charles François Daubigny
Bord de Rivière, effet de lune, 1854
on panel: 32 x 58,5 cm
Charles Hug
Flowers in a vase and pieces of melon
on canvas: 63,5 x 54,5 cm
Henri Lebasque
A lady on the beach
watercolour: 30 x 45 cm;
French 19th - 20th century
In the 19th century, landscape painting became an important genre. Artists were seeking reality and political liberalism thus gaining self-confidence and positivism in their work.
The essence of the Barbizon school, haven to well-known painters during the 1840s just south of Paris, was the urge to grasp nature by working 'en-plein-air' in preference to dark studios and academic studies. Working outdoors permitted light to play a major role and supported a more realistic way of painting.